This is the first of The Virtuosic Spy series, and features, of all things, a reluctant Irish violin player who is sucked into spying for the M6, which is the British spy counterpart of the US CIA organization.
Our grudging protagonist is from a farm family in Ireland. He has become a successful violinist playing with the Dublin Symphony Orchestra, and loves his life. He has an older brother, who loved the farm. But he somehow got himself into a financial mess by applying for some government grant and squandering it. He then disappears completely. Our boy, Connor, is forced to return to the farm and his ailing mother, to work the farm and pay off the debt, thereby giving up the career he loved.
He is approached by a dapper fellow who tells him that he is with M6 and wants to recruit Connor to go to India to find his brother, whom they are sure is a kingpin in a money laundering activity there, find him and turn him over to the government.
Well, the whole thing turns into a spy vs. spy thing, with lots of various government thumbs in a lots of various legal and illegal pies. A great spy thriller, with lots of twists and turns. And you will love that he uses an obscure classical piece of music as an almost unbreakable password. Because who would think of that, right?
Really well written, and guess what ….. by a woman, no less! Who says women can’t write international spy thrillers.
So I bet you are wondering about the title, Deceptive Cadence, aren’t you. Sure you were. It comes from the musical term for a chord progression where the dominant chord is followed by a chord other than the tonic chord — usually the sixth chord or superdominant chord or submediant chord (V-VI), but sometimes something else. In other words, for us music-theory-challenged folks, it is not followed by what our ear is expecting …. a resolution to the chord progression…. but by something unexpected, which does not resolve the progression, but sets it off in new directions.