Murderbot. What a guy! This is the fifth in the series starring a self-aware SecUnit that is half robot, half human, that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.” Scornful of humans, all it really wants is to be left alone long enough to figure out who it is.
You know that feeling when you’re at work, and you’ve had enough of people, and then the boss walks in with yet another job that needs to be done right this second or the world will end, but all you want to do is go home and binge your favorite shows? And you’re a sentient murder machine programmed for destruction? Congratulations, you’re Murderbot.
Come for the pew-pew space battles, stay for the most relatable A.I. you’ll read this century. When Murderbot’s human associates (not friends, never friends) are captured and another not-friend from its past requires urgent assistance, Murderbot must choose between inertia and drastic action.
Drastic action it is, then.
Murderbot is now with Dr. Mensah and the other Preservation Station characters who Murderbot was protecting in the first book, All Systems Red, and the fourth, Exit Strategy. Preservation is an unusually liberal society in this universe, where single-minded, coldhearted corporate profit-making is the norm, and Mensah and her family and friends treat Murderbot, whom they call “SecUnit,”as a person rather than as a possession. Mensah’s brother-in-law Thiago, however, is suspicious of Murderbot’s influence over Mensah, and Mensah’s adolescent daughter Amana considers Murderbot an annoyance, especially after it scared off someone she thought was a romantic interest.
As Network Effect begins, Murderbot is accompanying Thiago, Amana and several others on a survey expedition of another planet. After surviving an encounter with pirates — where Murderbot gets a chance to flex its muscles and show its expertise as a security consultant — the group lifts off the planet to rejoin their base ship in space. Just after the base ship exits a wormhole on its return to Preservation Station, there’s another attack on their group. This one succeeds in capturing Murderbot and Amena in their spacesuits and pulling them onboard the raider ship. Murderbot is completely bewildered to discover that the ship that attacked them is its old friend ART (an acronym for “Asshole Research Transport”) from Artificial Condition. But ART, the powerful artificial intelligence that controls the ship Perihelion, is nowhere to be found once they’re onboard the ship. Instead there are gray-skinned hostile humans that immediately try to kill Murderbot. Now it’s on!
We have space exploration and space raiders and alien abductors and sentient killware and contamination by alien remnants, and space flight and explosions and other stuff that tends to result in the catastrophic systems failure and forced systems shutdown more often than not.
What we have here is, of course, the issue of personhood and interpersonal relationships. And friendship, and the dreaded ‘f’ word — feelings.
What a great character and story line Martha Wells has created. A hero we can all relate to, sarcastic, prickly, grouchy, media-obsessed, and yeah….. darn competent.
Love love love this series.