IN THE WOODS by Tana French

in the woodsThis is a psychological police procedural mystery.  Let me clarify.  It is a police procedural, and a personal psychological novel, woven together to make one story.

Published in 2007, it won the Edgar, Anthony, Macavity, and Barry awards for best first novel.  And I can certainly see why.

It is set in Ireland, in a small development outside of Dublin.  Our protagonist, Adam Robert Ryan, at age twelve, along with his two BFFs,  lives in the partially completed housing development, surrounded by a substantial and old wood.  The three friends spend many a happy day using the wood as their personal playground.  That is, until one day, the three disappear, and only Adam is eventually found, standing against a tree, catatonic and mute.  Eventually after a couple of weeks, he speaks, but has lost all memory of anything before that time.  He remembers nothing of the disappearance, and nothing of his previous life.  He is sent away to boarding school in England, to remove him from the situation of curious and or suspicious neighbors, where he acquires an education and a posh British accent, and his parents soon move far away also, in great part because as his mother explains, she can’t bear to see the pain of the two families whose children were never found.

Fast forward twenty years.  Adam, now known as Rob, is a detective with the Murder squad of the Irish Police,  and is essentially pleased with his life.  He has a fine partner, Cassie, they are great friends, and work well together, and no one knows his history.   He finally reveals it to Cassie.

And then it happens:  the two are sent to a murder scene at an archeological site at Knocknaree, the small town where Rob grew up.  There, displayed on a Bronze age stone altar, is the body of a 12-year old girl with her head bashed in.   This ignites queries as to whether this is connected in some way to the disappearance twenty years ago of the other two young people.  This in turn sets off the unraveling of Rob’s carefully structured psyche, but he does not take himself off the case, keeping his secret, because he hopes to uncover some memories of either the incident or of his life before that time.

An intricate, carefully plotted tale of the workings of the mind, and the workings of the police.   I loved it.  It is one of my all-time favorite police procedural detective stories.



THE SKYSTONE by Jack Whyte

SkystoneEvery once in a while a book of historical fiction really flips my tortilla, and this was one of them.  It is about the Roman occupation of Britain, set in the late-ish 300s AD,  in the twilight of the great Roman Empire,  and we can see first hand, up close and personal,  just how the Empire’s disintegration began with small crumbling bits, until it became an avalanche.

It is narrated by Gaius Publius Varrus, who tells us

I am probably the last man alive in Britain who can claim to have marched beneath the Eagles of the Roman army of occupation in this country.

Although he is Roman, he is a third generation born Briton.  His trade, after soldiering, is blacksmithing, and he becomes an expert iron smith, and later a pretty darn good silversmith, too.

His grandfather had found a special rock, fallen from the sky, which he spent a long time trying to smelt the metal out of.  [Gee, that was an awkward sentence.]   He finally succeeded, and fashioned a sword and a knife out of the mysterious metal, instruments with indestructible blades, and an unusual shine.   Our Publius thereafter spent many years search for more of this mystical rocks, which he calls skystones.  HE meets a druid who has seen a shower of stars in a remote valley, and Publius is convinced these are more of the skystones and determines to unearth them.

In Caius Britannicus, another third generation Brit, he had a lifelong friend and mentor.  They fought together, and together founded a special group, and built a fortified encampment in the southwest, a colony similar to the Bagaudae’s colonies in Gaul.

This is actually the first of a three-book series about the age of King Author, with Caius and Publius creating the basis for the Round Table, and the crowning of Author as king. One version of the book jacket has the tag: The forging of Arthur’s Britain.

After moving to the colony, Publius finds those stones described by the druid, and finally is able to extract the mysterious metal from them.  He fashions a statue of Coventina a Celtic goddess, and talks about making a sword from this statue eventually.  From this we are to understand that perhaps Coventina will be the Lady of the Lake, and the sword which Publius intends to craft will be Excaliber.

And as you have probably figured out, the sky stones are pieces of meteor, and it is just delightful how they are described and talked about with wonder.

Funny how sometimes a books just grabs you, isn’t it.



THE LIBRARY AT NIGHT by Alberto Manguel

Library at nightAhhh, the art of the essay.   Something of a dying art, I think, but in this absolutely gorgeous, wonderful, lyrical paean to libraries, books, reading, writers, and collectors of books,  we have a work of true beauty.

Many reviewers have called it magical, and so it is, and spiritual, and absolutely compelling.  It is a love letter, and those of us who love books and libraries will all wish we had written it ourselves.

This rambling examination of all that we love about the written word is broken down into thematic chapters:  The Library As Myth, , As Order, As Space, As Power, As Shadow, As Shape, As chance, As Workshop, As Mind, As Island, As Survival, As Oblivion, As Imagination, As Identity, and  As Home.  in each chapter we have some history, well, lots of history, actually, and descriptions of long-gone libraries, history libraries, current libraries.  We have musings on his own personal eclectic collection, and thoughts about how to sort one’s collection.

If you like non-fiction, if you like books, if you like libraries, if you like reading about someone’s passion, this is the book for you.  Go read it.

I thought I would give you a little Wiki-ness on Alberto Manguel.

Alberto Manguel (born 1948 in Buenos Aires) is an Argentine-born Canadian anthologist, translator, essayist, novelist and editor. He is the author of numerous non-fiction books such as The Dictionary of Imaginary Places (co-written with Gianni Guadalupi in 1980), A History of Reading (1996), The Library at Night (2007) and Homer’s Iliad and Odyssey: A Biography (2008); and novels such as News From a Foreign Country Came (1991). Though almost all of Manguel’s books were written in English, two of his novels (El regreso and Todos los hombres son mentirosos) were written in Spanish, and El regreso has not yet been published in English.

I have to confess that this is one book I wish I also had in print form.  Just in case the apocalypse arrives and we have no electricity.




PREP by Curtis Sittenfeld

PrepLee Fiora is a fish out of water.   No, wait.  She is a teenager out of her element.  Lee is fourteen years old and attending an exclusive prep school in Massachusettes, which caters to the children of the wealthy.  But Lee’s family is anything but wealthy.  They are solidly middle class in Indiana, where her dad runs a retail store of some kind.  She has a couple of brothers, and yearns for some new, bigger horizons.   She gets the idea to apply to a posh boarding school in the East, and even manages to get a full ride scholarship.   So far, so good.

Her parents aren’t thrilled, not seeing what is wrong with their life and the local schools, but loving her as they do, they agree to the plan, and do their best to support her by sacrificing in order to provide plane tickets and spending money.

But we all know where this is going, don’t we?  She arrives to find only a few other scholarship students,  only a few students of color,  and feels really out of place, an outsider who can never be part of the inner circle of the carefree and careless progeny of the monied class.  She doesn’t fit in.

But like so much teenage drama, a great deal of her issues are of her own making.  Having pre-decided that no one will want to bother with her, she isolates herself, doesn’t attend any of the functions, is silent in class, lowers her eyes when anyone tries to be friendly and talk to her, and sets herself on a course for a miserable, sad, lonely high school life.   But we, the readers, can see others reaching out to her, only to be rebuffed, so after a while, they give up.

She develops a mad crush on some semi-unattainable boy, finally makes a friend with whom she rooms for the last three years, but really, all we want to do is slap her around and scream “GET A FREAKING CLUE!”   I find teenage drama tedious and tiresome.  That’s why I don’t read much YA.   If it isn’t teenage angst, it’s the lone teen warrior saving humanity.  Bleh.

Anyway, back to this book.  Nothing much happens.  For four years.   The book is not really heavy on plot, but it is heavy on description and detail, which strangely enough, keeps you reading reading reading rather compulsively until you get to the end when we are offered one of those tie-it-all-together epilogs.

I liked it.  I didn’t LOVE it, because there is not enough substance to LOVE it, but there are episodes which explore the race, gender and socio-economic issues which make up for the ongoing, never-ending teenage stupidity factor.   I think most reaction to the book is either like it or hate it.   It was optioned for a movie.  I raised three kids.  I don’t need to live through teen drama on the screen.  I’ll pass on the movie date.




TiffanyA fun detective mystery, starring an on-call investigator for the Richmond Insurance Company, where he investigates settlement frauds.   His name is  Richard Sherlock, which lends itself nicely to a lot of snappy referential dialog.

As he tells us, a major portion of his job is mentoring (aka babysitting) the twenty-something spoiled heiress of the Richmond fortune, Tiffany Richmond.  Tiffany is annoyingly egocentric, but so over the top, you can’t help but love her.  (OK, you can’t help but be glad she isn’t in YOUR life.)

Sherlock is a single parent of two almost-teenage girls, the younger of which is a member of a girls basketball team which has never won, succumbing to the Slaughter Rule of the league in every game, which says that if the score has more than a twenty point spread at halftime, the ref calls the game in favor of the higher scoring team in order to alleviate further embarrassment to the losing team.  Oh, and did I mention Sherlock is their coach?

The first person narrative is filled with a lot of heavy-handed metaphors and similes, and at first I did a big sigh, but as I continued to read, I realized that those whacky comparisons were intentionally awful, and I began to actually look for them.  Such as:

Tiffany says, “Raddy was on me like Prada on purse.”

Her so-called girlfriend “latched onto Raddy like calories on a donut.


The impact sends the metal square rolling down the alley faster than Ursain Bolt doing the hundred meters.

This case is growing faster than the Asian Flu.

She’s as pale as a bleach blonde bimbo’s beehive.

What starts out as an investigation as to who might have drugged Tiffany’s drink balloons into client signups by some pretty shady clients, but hey, the money’s good.

An entertaining read, not a bad mystery, and characters such as “Wait” Jack Wayte,  a hypochondriac’s hypochondriac, and “No-No’ Nula, another police officer who has the hots for Wait Jack Wayte.  Will they get together in the end?  With Tiffany’s new nice self offering advice to the physical appearance challenged, there is a pretty good chance.





This the the story of three women, in three eras, at one of the large estate houses in England.  The first volume, Polly’s Story, begins in 1890 when 14-year-old Polly was employed as an underhousemaid at Swallowcliffe Hall.   I started the series because I had always liked Upstairs, Downstairs and Downton Abby, and have been fascinated with the aristocratic and monied life of turn of the century England.   We follow Polly’s progress in her life, as various secrets of the house are revealed, as well as the different qualities of life of the gentry vs. the mostly unseen staff that kept life pleasant in the grand houses of the time.

The second volume, Grace’s Story, follows the life of Grace, one of Polly’s daughters, and begins in 1914, the eve of the First World War.  Grace hates the life of service to the rich, and leaves her hated job as kitchen maid to eventually become a teacher in London, much to the dismay of her mother.  The war changes everything, and although the aristocracy of the time tried to carry on as ever before,  the days of Polly’s life in service are moving relentlessly forward, and as the household help leaves for the war effort, and the large house is left to the care of a skeleton crew.

Finally, in Isobel’s Story, set in 1939,  Isobel, the daughter of Grace, and the granddaughter of Polly, comes back to the deteriorating manor, staffed now only by her grandmother and a couple of other workers, in a house that used to employ over 30 servants.  The grounds are uncared for, and only a few rooms in the sprawling house are in use, with the owners preparing to move out altogether.  We are now on the eve of the second World War, and in this story, we meet a young German refugee, sent to England by his mother for safety, and he works for the rather nasty general store owner in the local town.  Isobel comes upon him sketching the grounds of the house, and a friendship develops, which allows the author to examine the concepts of immigrants, refugees and the horrors of war.

All in all, a very satisfactory chick lit story, each volume unique, but with plenty of references to the previous storyline to keep it all very interesting. It is a story of how we are like and unlike our parents and grandparents and how each generation has its own problems and issues to solve, but that we can use our roots for their solutions.   I read the entire trilogy in a very short time, which is why I wanted to talk about them as a unit, rather than as separate books.

There is now out a fourth volume, Eugenie’s Story, which goes back to the time of Polly’s service.  Eugenie is the daughter of that family that Polly worked for.




Gardens_of_Celebrities_and_Celebrated_Gardens_in_and_Around_London_1000519729 This truly delightful book, conceived in 1913 and published in 1918, is about historical gardens on the grounds of famous estates and or those owned by historical figures.  The illustrations are painting and drawings by the author, and it is rather along the lines of an essay delving into history, that of British royalty and other prominent people.

I can’t tell you just how much I enjoyed these forays into history.   Things like

Henry VIII had done much to encourage gardening an garden-planning, and justly celebrated appear to have been the royal gardens of Nonsuch, near Ewell, in Surrey;  but these together with the palace, have since been entirely destroyed.

The author warns us:

My object in this book is primarily to write about the gardens I have painted, but I desire also to interest the reader in the men and women who made, or owned, and in many cases, loved them.  Therefore, I claim the right to be discursive at times, and occasionally to dwell upon events apparently irrelevant, and if I should linger longer than may seem necessary over the early history of Sir William Temple and Dorothy Osborne, his wife, it is because, as a horticulturist, he comes legitimately into my scheme and also because never was there a more chequered and prettier love story than theirs.

By the end of the book, we come to see that instead of the text being a brief complement to the pictures, the illustrations of the gardens have become the complement to the engaging stories.

We speak of gardens today, and think of the 50×100 back yard, or maybe a half acre divided into a vegetable plot and some blooming plants.  But

The ideas of the aristocratic Bacon on the subject of pleasure-grounds are on a grandiose scale.  In his famous essay, “Of Gardens”, he says that the ideal garden should comprise not less than thirty acres of ground, and he tells us that he is speaking only of those that are “indeed Prince-like.”

Thirty acres.  I remain speechless.

The author explains the history of gardens in general, how the early gardens mixed the needs of the kitchen and the drawing room, and gradually became more and more formal, up to the appalling point of “cutting out images in Juniper or other Garden Stuffe.”

Little oddments and tidbits of information abound, such as

Three hundred years ago, damask — so often used by the poets in describing a maiden’s cheek – meant pink, not dark crimson, as with us.


The delicately-fringed sweetly-scented little flower which I was taught to call a ‘pink’ was so named, since unlike Burns’ daisy, the common example was not even ‘crimson-tipped’, but pure white.  Bacon teaches us that the modern name is etymologically incorrect.  Pink would appear to be a corruption of Pinct – or pinked – stabbed, pierced, decorated by scallops – as the petals of this flower certainly was.

A love letter to gardens, surely, and to gardening and the pleasures of the outdoor life.  Do read it if you get a chance.  It is a free download on a number a sites throughout the internet, for instance here, or here, just to list a couple.



TABOO by Casey Hill

TabooThis is a CSI Reilly Steel thriller.  whoo whoo.  I really like all that CSI and forensics stuff.   This is a really good book –  interesting plot, well written, and I would call it a psychological thriller.  I am lowering my standards for what I call a ‘thriller’.   Or maybe it is just that I am too jaded for getting an adrenaline rush from reading a piece of fiction.

Reilly Steel is a girl  – woman — who is a hotshot forensics person trained in Quantico and who worked for the FBI in LA, and recruited to the Dublin, Ireland Guarda to juice up their outdated forensics unit.  Shortly after her arrival, a series of rather horrible deaths begin to occur, and after the third one, they — well SHE —- realizes that there is a subtle Freudian clue left at every scene.  The first, a suicide, the note which the police took as a suicide note, but which was really a quote from Freud:

We are never so defenseless against suffering as when we love, never so forlornly unhappy as when we have lost our love object or its love.

The next incident was an apparent shooting/suicide of a young college-age couple, found in bed.   On the beside table was a stack of books, covered with blood and brain spatter.  CSI Reilly finally realized that there is one book in the middle of the stack that is clean — obviously placed there after the deaths.  It was a copy of Freud’s The Interpretation of Dreams.

The next was the shooting death of a solitary male camper.  On a stool inside the tent was found a cigar.  You remember that quote of Freud, who believed pretty much everything had some kind of symbolism:  “Sometimes a cigar is just a cigar.”

As the deaths continue to pile up, each with its Freudian clue, it becomes apparent that each was connected with some kind of taboo — incest, cannibalism, homosexuality, etc.

(A bit like Seven.  Remember that movie?)  We learn a lot about Reilly’s background and early life, and it soon becomes apparent that there is a connection — a deadly one.

This is the first of a series.  (Doesn’t anybody write single books anymore?  I think not.)  Looks to be a good series, with some nice interaction between single Reilly and single Detective Chris Delaney.   Thank Buddha he was not described as drop dead gorgeous, because every darn mystery seems to have a single, drop dead gorgeous male detective who falls for the lady cop/detective/protagonist, and frankly, people, how many really good looking cops have you ever seen?  I mean, seriously.


This is Rene Magritte’s (the French surrealist painter) joke playing with Freud’s cigar remark.




Aunty IdaEver have one of those days when you feel you could use a rest cure, even if it is at a mental institution?  Yeah, me, too.

This book is a hoot.  A judge, Margaret, is having trouble with her marriage, her superior on the bench, and her mind.  An incident in her courtroom at the beginning of a very special hearing on a very special issue sets her off and she has a rather spectacular melt-down.  In lieu of getting debarred and thrown off the bench, she is offered a deal where she must go into therapy and get a form signed by the head shinkaroo certifying that she is well and competent once more.

She feels she had ample grounds for her upsetment in the courtroom, and that she doesn’t need therapy, but the only way to get back on the bench is to take the deal. Upon arriving home one day, she finds an envelope addressed to her, no address, no stamp, obviously hand delivered.  She opens it, unleashing a shower of multicolored paper stars onto her lap and carpet.    The piece of paper inside read:

Greetings!!!!   How do you DO?  The underwritten HEREIN, Margaret Anne Hamerton-Simpary is Cordially Invited to the States’ PREMIER full-service Institution!  Come join us at Aunty Ida’s for a lightning of your mental troubles!!!!!  BY INVITATION ONLY!!!!!!!  Univitationed persons WILL NOT GAIN ADMITTAGE.   With Fondness and All That, Aunty Ida.

Figuring she can weasel this person, whoever Aunty Ida is, into signing her form, she goes in search of the place.

So up to this point, that’s the sanest part of the book.

Aunty Ida has invented (developed?  Experimented with?) cloaking devices which hide her establishment from view, holographic work which produces whole towns, and a house which adjusts its decor automatically to suit the ‘patient’.  At the institution, there is a wonderful cook,  who is there cooking for everyone because he, well, used to poison people, you know. Aunty Ida insists that Margaret visited her in a  dream and made the arrangements for her treatment, during which time they discussed all kinds of things which Margaret does not remember.

There are strange ‘treatments’, guided meditation which goes awry, teleportation, and all kinds of ‘spooky action at a distance’.  There are twists, connections and conspiracies.  There is a happy ending.  Weird, but happy.

Quirky, fun, and definitely unconventional, this is a book to make you smile, and be glad you don’t live in her world.

I think there is a new adventure of Aunty Ida out now, Aunty Ida’s Holey [sic] Amazing Sleeping Preparation (Not Doctor Recommended).  And the author has some other fun titles, too:  The Great Paradox and the Innies and Outies of Time Management,  and Better Living Through GRAVY and Other Oddities,   and Her Cousin, Much Removed.




House on persimmon roadA pleasant chick lit tale with the usual trope – nice lady with two school-age kids deserted by her husband who wanted to go find himself by becoming a monk in the Himalayan mountains, leaving her with only the money from the sale of her house to live on.

So she rents a rundown place out in the boonies of Alabama, and set off for the unknown with her kids, her newly widowed formerly wealthy but now bankrupt widowed mother, and her acerbic mother-in-law who had lived with them for the past 12 years. So the dear husband walked out on not only his wife and kids, but also his mother.

Upon arrival, she is greeted by the next door neighbor, a nice looking guy. (What? You were expecting some nice schlub, kinda on the homely side? Never happen in chick lit.) Said nice good looking neighbor happens to be single, and in charge of his older father. How convenient.  You can see what is coming a mile away, right?

What saves this from being a Yawn with a capital YAWN, is Lottie.  Lottie is the ghost in the house. In fact, it is HER house, which her husband built for her before the Civil War broke out.  after burying their most valuables and money in the back yard so the Union soldiers can’t find it and take it, and building in a secret door and stairway to the attic in the kitchen, he leaves to fight on the Rebel side, where he is killed.

Lottie somehow died in the house, but doesn’t know how, but her bones were still there.  She is lost or stuck or just existing in the place between living and moving forward, and has been since her death, in this empty house.   She is gathering strength, and wants her life back. And her special chair her husband made for her.  And she is not happy with the sloppy housekeeping going on in her house, the constant bickering between the two mothers who don’t much care for each other, and determines to ‘extend herself’ back into the world of the living.  She gets her chance by watching the neighbor do electrical work, and accidentally touches a live wire which makes portions of her body begin to appear.  But to her dismay, they soon fade.  She is convinced she can go all the way with a bigger jolt.

She does this, appears to the family and introduces herself, and begins cooking and taking care of the house to the joy of the overworked young woman.  It was a hoot.  We could all use one of these.

One of those feel good stories with a happy ending.  I like happy endings.  So few end with a reconstituted ghost doing the housework.  There is hope for us all.